The Cheating Kind

Last week, the New York Times reported on the culture of cheating at Stuyvesant High School. 71 students were caught sharing answers on an exam and, in what many readers found surprising, revealed to Vivian Lee why it was acceptable. Lee explained:

“By the time they graduate, many have internalized a moral and academic math: Copying homework is fine, but cheating on a test is less so; cheating to get by in a required class is more acceptable than cheating on an Advanced Placement exam; anything less than a grade of 85 is “failing”

The expectations for achievement, especially getting accepted into a top-notch university, have led students, their parents, and the teachers to accept cheating as a logical–and even acceptable–means to an end. Stuyvesant is certainly not alone. Widespread cheating–excused by the pressures of achievement and  rationalized as necessary to reaching goals–occurs in colleges as much as high school. This utilitarian approach to cheating has caused Claire Potter, at Tenured Radical, to call out not only teachers but also “privileged students who blame everyone but themselves.” While this phenomenon causes many instructors to critique the barrage of standardized testing, Potter asks:

“How did we reach a consensus that cheating is an appropriate way to deal with academic stress?  If so, why is it appropriate? And what are the consequences of making cheating integral to the culture of excellence? Imagine if Nixon had explained the Watergate break-in by telling us he was really stressed out about the election.”

Like Tenured Radical, I have little empathy for students who blame their cheating on stress. At the same time, I think the prevalence of cheating places a responsibility on the instructor to explain to students the fallacies in their cheating moral calculus. As Stanley Fish asserted a couple years ago: Plagiarism is a learned sin. While students may see immediate results in cheating (despite our best efforts to catch them, some students will cheat their way to an A), we need to help them see the consequences beyond our courses. If we are not talking about how our classes matter after the final exam (or challenging them to recognize it themselves), why should they think beyond getting above that “failing” 85 on the next assignment? In spite of what students have been trained to think, the grade is not the most important part of the course. After all, the more you know, the more you know.

Brother Ali’s American Mourning

Recently NPR interviewed a rapper and activists challenging the stereotypes of an American Muslim. Brother Ali, a practicing Muslim, draws attention to the suffering felt by many Americans in his new album, Mourning in America, Dreaming in ColorOn the provocative album cover, Ali kneels in prayer on an American flag.

Information about this album can be found at: brotherali.com

He explained to NPR: “It was meant to be a literal depiction of the album title,” he says. “That the things that we believe about our country — freedom, justice, equality, life, liberty, pursuit of happiness, all people being equal — that these things are on the ground, these things are suffering, and so I am kneeling and praying for it. The meaning behind kneeling in this reverent way and praying is only a problem if [people] have believed this lie that somehow being a Muslim and being an American are mutually exclusive.”

Brother Ali’s bold visual representations of American identity reminded me of other Muslim Americans pushing mainstream assumptions about Muslim American identity specifically and American identity more generally: Taqwacores.

As I’ve written about at Religion Compass, Michael Muhammad Knight’s novel and the community that inspired and was inspired by it also use artistic expression to bring life to a “punk Islam.” As Knight begins his novel, he explains the ethos behind the creativity and adaptability of his “punk” Islam:  “punk is like a flag; an open symbol, it only means what people believe it means. …Islam is itself a flag, an open symbol representing not things, but ideas. You cannot hold Punk or Islam in your hands. So what could they mean besides what you want them to?” (Berkeley: Soft Skull Press, 7)

Together, the Taqwacores and Brother Ali illustrate the variety of Muslim American identities, especially those who do not feel represented in mainstream Muslim-American organizations, by “ordinary” Muslims like those on the now canceled TLC show All American Muslim, or by the glitzy stars of Bravo’s Shahs of Sunset.